Janelle Monáe named ‘Suicide Prevention Advocate of the Year’

Grammy-nominated musician, actor and author Janelle Monáe has been named TheTrevor Project’s annual “Suicide Prevention Advocate of the Year” for their“unwavering commitment” to championing LGBTQ+ mental health awareness, thegroup announced on Tuesday.

Monáe, who uses both gender-neutral and female pronouns, is the second personto be honored by The Trevor Project, a national LGBTQ+ youth suicideprevention organization. The rapper Lil Nas X, who is openly gay, won thegroup’s inaugural award last year.

The honor is given annually to influential public figures that lift up theLGBTQ+ community, spread mental health awareness and remind queer youth that“they are not alone,” The Trevor Project said Tuesday in a news releaseannouncing Monáe’s win.

“Queer representation in the media can have a life-saving impact on LGBTQyoung people, and Janelle Monáe is the embodiment of unapologetic self-expression,” Josh Weaver, vice president of marketing at The Trevor Project,said Tuesday.

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“Throughout their career, Janelle has been a trailblazer who constantlychallenges the status quo – from their depictions of queer love in their musicvideos, to their iconic, gender nonconforming style, they continue to redefinethe rules around how LGBTQ and BIPOC people can navigate through life,” Weaversaid.

In a May interview with CNN’s Christiane Amanpour, Monáe said their “naturalinstinct” has always been to stand up to bullies and to protect people thatare trying to live as their authentic selves.

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“I always want to protect marginalized and working class folks,” Monáe said.

Last year, the multi-hyphenate artist released a 17-minute version of their2015 protest song “Say Her Name (Hell You Talmbout)” that featured the namesof 61 Black women and girls killed by law enforcement.

Monáe came out publicly as pansexual in a 2018 Rolling Stone cover story,telling the outlet they are “open to learning more about who I am.” In April,they confirmed during an appearance on Facebook Watch’s “Red Table Talk” thatthey identify as nonbinary.

“I just don’t see myself as a woman, solely,” Monáe told hosts Jada PinkettSmith, Willow Smith and Adrienne Banfield-Norris. “I feel all of my energy.”

Monáe has also been open about their struggles with depression and anxiety andrevealed in a 2020 interview with NPR that they had suffered several panicattacks while recording their album “Dirty Computer” after former PresidentTrump was elected, worrying that white supremacists and extremists may feel“emboldened” to attack them for speaking out against things like rampantracism, sexism and xenophobia.

“As someone who has dealt with depression and anxiety, prioritizing andprotecting your mental health is everything,” Monáe said Tuesday in astatement released by The Trevor Project. “No matter what you’re goingthrough, your life matters so much — don’t let anyone try to dim your light.”

“Growing up queer and Black in a religious household, I faced a lot ofchallenges trying to understand my identity and where I fit in as someone whoalways felt beyond the binary,” Monáe, who was raised in Kansas City, Kan.,said . “We, as LGBTQ folks, as people of color, are a powerful and unstoppablecommunity. I want every young queer person out there to know that I see you,you are beautiful in all of your forms, and you are never, ever alone in thisworld.”

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Kanye West Says His Publishing Is Being Shopped Without His Knowledge: ‘Just Like Taylor Swift’

Kanye West took to Instagram on Tuesday to question a Billboard report thathis “camp” has been quietly shopping his song catalog, writing via Stories:“Just like Taylor Swift… my publishing is being put up for my sale without myknowledge.”

Billboard reported on Monday that members of the rapper’s team “have metselectively with prospective buyers to explore what kind of valuation his songcatalog could fetch,” estimating that they are seeking $175 million. Inanother Instagram Story, West posted a screenshot of a text message with anunnamed person, with West asking, “Can you ask Gee who is selling mypublishing,” likely referring to his manager Gee Roberson.

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“Fake news,” the person replies. “Of course every publisher wants to pitchthere [sic] hardest to buy. Smh.”

Representatives for West and his publisher, Sony Music Publishing, did notimmediately respond to variety ‘s request for comment.

As is often the case with West, there’s a lot to unpack in the situation.

First, it is difficult to imagine anyone in his camp shopping the rights tohis music without his knowledge, although with the frequent and rapid turnoverof his management staff and his multiple ongoing projects, there is certainlypotential for miscommunication. As the value of publishing and recorded-musiccatalogs has soared in recent years, virtually every major artist has exploredsuch sales — sources say Bob Dylan sold his publishing for nearly $400 millionand his recorded-music for around $200 million — so it’s not surprising thatreps for West would test the waters, especially as rising interest rates andfears of inflation have cooled off the market in recent months.

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Second, although West compares himself to Swift, the situations aredrastically different, even if someone were shopping his publishing withouthis knowledge. Swift’s publishing catalog was never for sale; instead, aconsortium led by Justin Bieber/ Ariana Grande manager Scooter Braun paid areported $300 million for the rights to the masters owned by her former labelBig Machine, which included her first six albums (adding another twist, Braunmanaged West for a couple of different stints in 2016-2018).

While Swift has said she was initially unaware of a potential Big Machine saleand much about that situation remains unclear, she attempted to buy hermasters from the label before the Braun-led deal closed, but found the termsunacceptable. Instead, she is two albums into the process of recording newversions of those Big Machine albums (adding multiple bonus tracks) andreleasing them via her own company, and licensed to Universal Music Group’sRepublic Records. Just 17 months after acquiring Big Machine, Braun sold hisinterest for a substantial profit.

West has made noise about acquiring the rights to his publishing and recorded-music at least twice in the past, even going so far as to post excerpts fromhis contracts on social media in 2018. In September of 2020 he wrote onTwitter, “I ‘m not putting no more music out till I’m done with mycontract[s]” and in a different post included a screenshot of a text from anunnamed advisor apparently claiming that his masters are worth more thanSwift’s. (He has released two versions of his “Donda” album and multiple othersongs since he made that statement.)

Additionally, the documents he posted in 2018 showed that not only was hestill legally bound by those contracts, but that they had been renegotiatedmore than once at terms very favorable to him, by current standards. It alsohas become clear that West apparently already owns the rights to many of hisrecordings: The copyright on all of his albums from 2016’s “Life of Pablo”album onward is credited to his company Getting Out Our Dreams II, LLC (avariation on the name of his earlier label, Getting Out Our Dreams, oftenabbreviated to GOOD) and licensed to his longtime label Def Jam, while therights to his previous recordings are credited only to Def Jam.

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‘We sweep under the rug what we better look in the dirty mouth’

Despite the still lively gay scene in ‘gay capital’ Amsterdam, something hasalso been lost. Theater maker Dries Verhoeven (46) and performer BarnabySavage (31) lead us through oppressed sex-free places, in the run-up to theirperformance The Narcosexuals.

Lorianne van GelderSeptember 19, 202217:00

“I could go here now,” says Dries Verhoeven, theater director, pointing to hissmartphone on which the Chillapp is open. A sex party is going on two hundredmeters from him. Verhoeven could register in this way, go to the apartment ofthe unknown man and take a stimulant to be able to immerse himself in free sexwith the other men present for the rest of the afternoon, evening and night.

These sex parties under the influence of drugs such as GHB, 3-mmc or sometimescrystal meth – also known as ‘chemsex parties’ (chemicals + sex) – have beenaround for about ten years and took off during the corona period. They are theinspiration for Verhoeven’s last performance: The Narcosexuals, in which helets seven dancers experience such a party.

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Scene from ‘The Narcosexuals’ by director Dries Verhoeven.Statue WillemPopelier

Lack of group feeling

It is a world that the average Amsterdammer may not know. Just like the cruisespot in Sarphati Park, behind the benches, between the bushes, which we justvisited. Together with one of his actors, Barnaby Savage, we cycle past thevisible, invisible, but also the many disappeared gay meeting places and barsin the city.

Because that is also why Verhoeven are the Narcosexuals made: he sees thatmore and more existing physical gay meeting places in the city aredisappearing from the streets. While many gay men experience a lack ofconnection or group feeling, he sees. In its place are the chemsex parties –invisible, with all the benefits, but also risks.

What is left of the sexual safe havens for men in Amsterdam?

Darkrooms and drugs

Savage, Dutch-British dancer and performer, is waiting for us in theWarmoesstraat. De Cockring, a gay bar with a much used darkroom, was locatedthere for years at number 96.

For Savage, this gay bar was his first encounter with a darkroom. He firstcame here as a 19-year-old boy. “I remember what the cruise room looked like:a labyrinth of cubicles. I found it very scary and didn’t dare go in.” Helater discovered just how attractive he found cruising and anonymous sex.

The municipality closed the tent in 2010 because too many drugs were used andtrafficked. Verhoeven, a fairly loyal visitor, still sees the indirect effectsof this. “The consequence of such a closure is that people now meet whereenforcement is no longer possible. In living rooms where a crystal meth pipeis simply on the table.”

Now there is a branch of tourist cafe Stones Café. When it was still the gaybar, there was a really big cock ring on the facade. “It was visible, it was areminder of promiscuity and the animalistic in ourselves and society,” saysVerhoeven.

Day and night version

Gay bars Dirty Dicks and The Eagle can be found a few doors down the street,but they too are under pressure due to the city’s Red Light District policy.There are plans to close the catering industry at 2am from 2023, while TheEagle and Dirty Dicks will be open until 4am.

“Where are those men supposed to go after that hour?” asks Verhoeven. “I don’tthink anyone is bothered by the good breasts that go here. Perhaps somepassers-by will experience a sense of filth and abnormality. The clearing is asymptom of a time when differences are increasing: a day and night version ofyourself. Either extreme sex on the internet, or a place in public where weare prudish and good.”

Internet shopping

Those who do not understand the lure of cruising: it is the surprise of themeeting, or the anonymity of the sex, that make cruising and darkroom visitsso attractive, the men say. Most gay men date today through a dating app likeGrindr, but that can feel like internet shopping.

“You immediately define your taste, even before you meet. Because of theprofile you already know almost everything about each other: height, weight,hair color. You post your best photos. In fact, you can only get disappointedthen,” says Savage.

Verhoeven: “In the darkroom you are in the shadows, you can still fantasizeabout each other.” “It can come as a surprise that someone looks moreattractive or has better sex with you than you could imagine,” Savage adds.

pee curls

Both Savage and Verhoeven praise the adventurous, exciting and democratic sideof cruising. Whether in a park – the Rosarium in Vondelpark is the most famous– or in the basement at gay bar The Cuckoo’s Nest.

“I’ve never seen anyone be aggressive while cruising,” Verhoeven says. “Youhave to respect each other’s boundaries, because you are all in an undefinedspace, together you determine the rules. That creates a sense of camaraderie.”

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From: The Narcosexuals.  Statue WillemPopelier

From: The Narcosexuals.Statue Willem Popelier

However, cruise locations are also under pressure. For example, there wasrecently a discussion about the much-used gay meeting place at De Oeverlanden,because a landscape park should be created. The many multi-person pee curlsthat the city used to have – where men could pee side by side outside – thatwere also used as sex places, have also decreased enormously. TheWeteringscircuit was a lively cruise scene, until the rhododendron bushes werepruned and there was no more shelter.

playground

Men are therefore increasingly seeking refuge via the internet and in theprivacy of parties. Where sex and drugs are even more connected. Savage: “It’ssomething that the outside world doesn’t like so much that it creates a senseof togetherness. A space is created where men experiment sexually, withoutjudgment.” Verhoeven: “At those kinds of parties, there is often a great senseof care for each other, for example when someone becomes unwell. But theoutside world will not notice if something goes wrong.”

If the city cleans up a public space, it does not mean that those extremitieshave disappeared, says Verhoeven. “We sweep everything under the rug that Ithink we better look in the dirty mouth.”

In Sarphati Park, Savage points to two benches behind the basketball court inthe park. On the surface, the benches are like any other, but this is also acruise spot, he says, where he frequented. “Only there are fewer and fewercruisers, especially because there is now a playground nearby.”

Model Gays

Cruising may be a far-from-my-bed show for many. But for Verhoeven, visibilityof the dark, sordid sides of life is essential. “A subculture shows its middlefinger according to imposed expectations.” Gays have acquired more and morerights, such as the opening up of marriage or the adoption of children, butthey have also started to behave according to that heteronormative norm, hesees.

Verhoeven: “We are not all assimilated model gays. That bestiality has notdisappeared, it is in all of us, in straights and gays. Although you could ofcourse say that sex occupies a more central place for some gay men. When yousuppress your sexuality for eighteen years, it can come out with a bang.”

The Narcosexuals: 22/9 – 1/10, The Stone Head via Frascati Theatre

Lana Del Rey Course Launched at New York University’s Clive Davis Institute

As it did with Taylor Swift earlier this year, New York University’s CliveDavis Institute has introduced a course on Lana Del Rey for this fall. Taughtby journalist and author Kathy Iandoli, the two-credit course, “Topics inRecorded Music: Lana Del Rey” runs Oct. 20-Dec. 8.

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According to an NYU rep, the course will examine Del Rey’s contributions to21st Century pop stardom, her relationship to feminism, her musical influencesand artists she has influenced, and her connection to social justice movementssuch as #BlackLlivesMatter, #MeToo and #TimesUp . Del Rey was honored with theDecade Award at variety ‘s Hitmakers event in December.

The course description reads: Over the course of eight critically-acclaimedalbums, the six-time Grammy nominated artist has introduced a sad core,melancholic, and baroque version of dream pop that in turn helped shift andreinvent the sound (and mood) of mainstream music beyond the 2010s . Throughher arresting visuals and her thematic attention to mental health and tales oftoxic, damaged love, Del Rey provided a new platform for artists of allgenders to create “anti-pop” works of substance that could live in amainstream once categorized as bubblegum .

Speaking with Variety, Iandoli says, “In so many ways, I feel like Lana DelRey is both a blueprint and a cautionary tale, a complicated pop star whoresonates so much with her fans, not because of how she makes them feel abouther , but rather how she makes them feel about themselves. She has changed theparameters of baroque pop and now more specifically “sad girl pop” through hermusic, by expanding the subject matter which at times is controversial andchallenging. There are so many pieces in this mosaic that we have now come toknow as Lana Del Rey, and this course examines every dimension of it.”

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Chaired by veteran music writer and musician Jason King, the Davis Institutehas included classes taught by Questlove, “Dilla Time” author Dan Charnas,Q-Tip, legendary producer-engineer Bob Power and many others.

Of the Del Rey course, King tells Variety, “When we offer artist-themedcourses at the Clive Davis Institute, we are always asking: how does thisartist’s work help students think through larger and complex cultural, socialor political issues or movements? Lana Del Rey refracts so many changes incontemporary culture, especially as the role of contemporary women in popmusic keeps shifting. Studying Lana Del Rey means thinking more critically thegrowing popularity of so-called anti-pop. It means finding ways to considerthe increased interest in mental health and issues of psychological damage,and to evaluate changes in they 21st way we think about identity, especiallyin terms of race, gender, nation and class. Lana is especially relevant, andcontroversial, when it comes to changing ideas about intersectional feminismover the past decade.

“The point of our artist-themed classes at the Clive Davis Institute is toencourage students think more deeply and critically about the icons theyadmire and to develop a historical and contextual understanding of thoseartists,” he continues. “Students are expected to approach the study of LanaDel Rey with the same critical lens with which they approach the study of LedZeppelin or John Coltrane or Bob Marley or Stevie Wonder or Joni Mitchell inother Writing/History/Emergent Media Studies courses we offer . There is agrowing body of academic research and scholarly discourse on Lana Del Rey aswell that seeks to assess her cultural meaning and impact, and students readand think through some of the work in class.”

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Jon Hamm recalls ‘out-of-body experience’ meeting Tom Cruise for 1st time

Jon Hamm calls meeting Tom Cruise for the first time an “out-of-bodyexperience.”

While he had a role in the megahit Top Gun: Maverick, hamm __ said onMonday’s Howard Stern Show that he actually met the superstar a decadeearlier at a kegger at Jimmy Kimmel’s house.

Hamm said Kimmel was known for throwing all-day football viewing parties withbig groups of people. “They’d have a keg and he’d make pizzas,” he said. “Itwas LA so it’s sunny and games start at 10 in the morning.”

Early on at this party — attended by actors, comedy writers and comics — a> rumor swirled that Cruise was going to be in attendance. Hamm recalled being> doubtful: “No he’s not. What are you talking about? That’s like saying Santa> Claus coming. There’s no way and you’re an idiot if you believe that. And> Jimmy, famously, is a very big prankster.”

The doorbell soon rank and none other than Cruise rolled in — and he wasn’talone.

“It’s not a Tom Cruise impersonator, it is Tom Cruise — with his mom,” Hammsaid, referring to Mary Lee South, who died in 2017. “So we got Tom Cruise andMom Cruise and we’re all having an out- of-body experience.Arguably the mostfamous person on the planet is in this living room watching nine footballgames at once [with us].”

On top of it, Cruise turned out to be a big fan of Hamm’s work in _Mad Men_which ran from 2007 to 2015.

“He was like — in a very Tom Cruise way, very direct and intense — ‘I love_that show. I _love that show,'” he recalled. “‘Thanks man.’ holy cow. Thatwas a good day.”

Fast-forward 10 years when Hamm was driving and got a call from his agent thatCruise wanted him for the Top Gun sequel. He said yes on the spot — eventhough the finances hadn’t been worked out.

“‘The answer is yes. If this goes away, you’re all fired,'” he recalledtelling his agent with a laugh. He called it a “no brainer” to say yes — notjust because he was offered the role on the spot, but because he loved theoriginal and he’d get to work with Cruise. “The answer is yes, I’m sure itwill be a big hit” he recalled saying, “and it was.”

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It’s been a few years since his Emmy-winning run as Don Draper in Mad Man.> He went on to clear up a long-running rumor, going back nearly a decade,> about whether he wore underwear for his role playing the ’60s ad man. There> were rumors show brass had to tell him to put on underwear because he had> been revealing too much below his waist by going commando. For years, Hamm> made it clear he wasn’t having a public conversation about his private parts> — and typically in an impatient and unamused way.

When Stern asked about “the most famous rumor” about Hamm — “the whole penisthing” — Hamm laughed along — because of course Stern was going to ask.

“The whole penis thing,” Hamm laughed at the question. He finally answered, “Ihave worn underwear every single day of my life, Howard. First of all: Whodoesn’t wear underwear?! I wear underwear… I love a comfy boxer brief. Thankyou very much. I like a breathable cotton. Come on man, who doesn’t?”

Hamm also talked about being in a relationship with Anna Osceola, who appearedin the Mad Men series final. He said, after doing a lot of therapy in recentyears, processing early loss and grief in his life, he has could see himselfgetting married some day.

“I’m in a relationship right now … and it’s comfortable,” he said. “It’s afeeling of taking care of someone else and being taken care of. It’s also beena process of working on myself, my mental health all this stuff with mytherapist and unpacking all of that trauma, my realizing that when you losesomebody that’s so important to you — like a mother — so early,” which he didat age 10, “that creates a wound that blocks a lot of that emotionalaccessibility … and vulnerability.”

He continued, “It’s only been in the last couple of years of me kind ofsitting down and really thinking about all that stuff that’s made therelationship that I’m in now even more meaningful and opened up thepossibility of things like being married, having kids, defining a new versionof happiness, life, wellness — all that stuff that sounds hokey and whateverbut it’s real and … it’s what I’m working for.”

After HBO Max, SkyShowtime also stunts with a 50% discount for life

At the beginning of this year, shortly after the launch of the other newstreaming service Viaplay, HBO Max made a splash in the Dutch market. Got newsubscribers lifetime whopping 50% discount if they took out amembership in the first weeks. The third newcomer to the streaming landscapeof 2022, SkyShowtime now appears to offer the same action at the Europeanlaunch.

New streaming service SkyShowtime offers a lifetime discount of 50%

Today, the new streaming service SkyShowtime went live in the first fourEuropean markets: Denmark, Norway, Sweden and Finland. If you take a look atthe website from one of these countries, it turns out that you currently havea very attractive offer receives from the video on demand platform: 50%discount for life.

For example, a subscription in Finland (comparable subscription costs with theNetherlands) normally costs € 6.99 p/m, but this price is reduced by thepromotion to a very competitive cost of only €3.49 per month. In Sweden(79.00 > 39.50 SEK), Norway (79 > 39.50 NOK) and Denmark (69 > 34.50 DKKK),the offer is also applied. Film and series lovers will have 42 days to takeadvantage of the promotion, because the offer will expire on November 1st.

SkyShowtime will go live in the Netherlands on October 25, 2022, price willbe announced soon

In the Netherlands, we only have to wait a month for the launch, it wasannounced this morning. SkyShowtime will be on here October 25 launched.As a result of the Scandinavian discount campaign, the Streamwijzer editorshave asked the streaming service whether the lifetime offer will also beintroduced here. The SkyShowtime spokesperson could not confirm or deny thisat the moment, but made it clear that we have a similar in the Netherlands_“competitive” can expect surprise at a “exceptional price”_.

“The price will be competitive, allowing us to offer great content at anexceptional price. We will announce this in the coming weeks.” – Spokesperson for SkyShowtime*

HBO Max organized the same temporary discount at the beginning of this year

It is certainly a fantastic action, but not quite exceptional anymore. HBOMax was launched in the Netherlands in March and then the Netherlands fellhead over heels for their offer: 50% off forever. At least, until one day youcancel your subscription. Then you lose your advantage and it cannot berecovered.

SkyShowtime may have been inspired by HBO Max’s offering, which was receivedwith great enthusiasm by Dutch film and series lovers. There is therefore agood chance that the conditions for the promotion are similar: the discountexpires if you cancel your subscription and price increases also applyto your membership, although of course only for half. However, this has notyet been officially confirmed, so we will have to wait for further reporting.As soon as we know more, we will be the first to announce it via your mail andin the Facebook group with SkyShowtime viewers. In addition, you can alwayskeep an eye on our website and social media channels for updates.


  • Original statement in English: “Pricing will be competitive offering great content at exceptional value and will be announced in the coming weeks”

The plan was to grow. Now Keymusic is bankrupt

It should have been the start of a growing retail chain operating in Belgiumand the Netherlands, where music lovers could go for their guitar, keyboard orloudspeaker. But three years after Keymusic’s relaunch, the curtain has fallenagain.

The court in Amsterdam declared bankruptcy last week about the Dutchactivities that were left, at the end of last month the Belgian activitieswere already placed under so-called ‘judicial reorganization’ by the court inAntwerp, a kind of deferral of payment.

Jan ‘t Hoen took over Keymusic Nederland in the summer of 2019 and alsoacquired the shares in the Belgian branch. His idea: to increase the number ofbranches so that the chain would generate enough turnover to become viable.

Keymusic generated a turnover of 20.3 million euros in Belgium and theNetherlands last year, together with seventy employees and a number offranchisers (for comparison: competitor Bax had a turnover of 125 millioneuros in the Netherlands). That made the retail chain with its own onlinestore not viable enough, says ‘t Hoen now.

Too early

According to Duco van Dongen, curator of the Dutch branch of Keymusic, it isstill too early to identify the causes of the bankruptcy. “Several parties areinterested in a restart, that’s what my focus is on in the first instance.”

According to ‘t Hoen, there are several causes. The most important is theoutbreak of the corona crisis, six months after he received the keys to thecase. In the first year and a half, the crisis managed to survive thanks tothe deferral of taxes and the government’s wage support. “That allowed us tokeep our good staff with music knowledge.”

In Belgium, however, the shops remained closed for a long time to snoopingpublic – people were only allowed in with a purchase appointment. The webstore was running well – people started making music at home en masse duringcorona – but according to ‘t Hoen, the margins online are so low thatinsufficient money was earned with it.

Also read: Music store Dirk Witte in Amsterdam became ‘unreachable’ andleaves for Utrecht

In addition, many suppliers no longer accepted orders on credit from Keymusicafter the difficulties at the end of 2021. Because there was little cashcoming in, it was difficult to keep sufficient stock. Orders that could beplaced then took a long time to deliver due to a general crisis in the supplychain. “There was a lot of demand for musical instruments, but we oftencouldn’t meet that demand from our stock,” says ‘t Hoen.

Nothing right

The plan to grow to forty stores ultimately came to nothing due to all thecash flow and turnover problems. Private equity parties that were interestedin financing the growth therefore dropped out, according to the now formerowner.

The lockdown at the end of last year turned Keymusic’s neck down, according to’t Hoen. In the first instance, an attempt was made to continue in a muchslimmed-down manner. The chain went from 27 own and franchise stores inBelgium and the Netherlands last year to three own stores in Belgium and threeown stores in the Netherlands this summer. Some of those music storescontinued under a different name, but most closed their doors permanently. Theturnover of what remained under the flag of Keymusic remained too low to payoff the debts, after which ‘t Hoen eventually filed for bankruptcy itself.

Bankruptcies Golf expected

Where a wave of bankruptcies was expected at the start of the coronacrisis, the number of bankruptcies has remained very low in recent years.That could change in the coming months. From October 1, companies must startpaying off their deferred taxes.

In the retail sector, 114 stores went bankrupt up to and including August.Last month the number of bankruptcies was twenty, the highest in a month sofar this year. In August a year ago, ten companies were declared bankrupt.

According to retail expert Henk Hofstede of ABN Amro, many stores sufferfrom a “mix of events”: inflation is at an all-time high, causing consumerpurchasing power to decline. Consumer confidence is at an all-time low,causing people to postpone their larger purchases. Stores are with excessstocks due to the coronalockdowns. Deferred taxes due to corona must berefunded from October 1. And fixed costs are currently skyrocketing: energybills are high, many rents are rising in line with inflation, and collectivelynegotiated wages in the sector are rising sharply. The fact that interestrates are currently going up also makes it expensive to finance stocks. “Allthis puts pressure on the retailer’s profitability.”

What makes actor Fedja van Huêt so popular?

“Who wouldn’t want to work with Fedja van Huêt?” Producer Errol Nayci makes itimmediately clear that the actor is always an added value, whether in a TVseries, film or play. Multifunctional too.

Just look at Van Huêt’s recent work: apparently effortlessly he switches fromthe adventurous entrepreneur Anthony Fokker into Flying Dutchmen via thenerdy plane spotter Mat Herben in The Year of Fortuyn to a horror father in_Speak No Evil_. In the latter film, he and his wife Karina Smulders play avery sinister couple.

“You can go either way with him,” says Nayci. “When you look at him, somethingalways happens. He can play both powerful and vulnerable. You don’t see thatoften.”

During the previous edition of the Netherlands Film Festival, Van Huêt (TheHague, 1973) took the stage with a Golden Calf for his leading role in TheCondemnation. In that film about the Deventer murder case, he portrayed thetenacious journalist Bas Haan. This year the film will be on the NFF_narcosis_ premiered, a family drama about mourning in which Van Huêt plays afather who disappears after a dive. His wife, played by Thekla Reuten, has todeal with the loss together with her young children. The film is the Dutchentry for the Oscars.

Character

if narcosis is nominated for an Oscar, it comes full circle: when Van Huêtwas still at drama school in Maastricht, he already played the leading role in_Character_ a father-son drama by director Mike van Diem that won an Oscar in1998.

Van Huêt flourished as an actor with Hollandia, a theater group that for along time played alone on location: in market gardeners, car scrap yards andfactories. Such an avant-garde approach makes actors more than usual part ofthe creative process. You learn to adjust the space to your liking, somethingthat comes in handy on a film set. At Hollandia he showed all his versatility.As an evil stranger in The bittersweet virtuoso switching between manydouble roles The Fall of the Gods. After he joined Ivo van Hoves ToneelgroepAmsterdam, he shone as a macho seller of castles in the air in Glengarry GlenRoss. In the last ten years he has mainly focused on series and films. Thefact that he can disappear into roles there too will partly have to do withthe great theater experience. Experience that not every famous head has.

The fact that Van Huêt can ‘disappear’ despite his status as a celebrity wasalso nice for director Martijn de Jong. narcosis is his debut film andactually he wasn’t looking for familiar faces. However, Van Huêt’s qualitieswere very suitable for the role. “He only has a few scenes and has to put downan unforgettable father,” says De Jong. “He understands all cinematic means.In a complicated scene we looked for a natural way for Fedja to enter theshot. Suddenly he came with a perfect movement. He went with the cameraman’scadence and understood exactly what was needed at that moment.” ____Nayci: „Heis very generous in his game, actually also an ideal declarant. He can enjoyit when someone else does something nice with a scene. Fedja will neversmile.”

With a pretty face you can also easily be typecast, but he manages to avoidthat. For example, the recent Herben role was a strong piece of counter-casting. Whether he plays villain, hero or sucker, a cash is a slightly painedexpression, as if he finds life hard.

De Jong: „He has a warm appearance, but there is something mysterious aboutit. You can’t really put your finger on it.” A certain reserve. Reuten alsosays that in the press folder narcosis : “He always carries a lot of secretwith him, in and behind his eyes.” Van Huêt calls himself in a recentinterview with The New York Times about Speak No Evil one of the ‘usualsuspects’ in the Netherlands who is ‘blessed with a lot of work’. It is notsurprising that he continues to think internationally, also to preventoverkill in his own country. He will play a villain in a still mysteriousseries by the American tech giant Amazon.

‘Bridgerton’ actress confirms: “The third season contains more passion again” | showbiz

TVThe shooting of the third season of the popular Netflix series ‘Bridgerton’is in full swing. The sequel will revolve around the characters ColinBridgerton and Penelope Featherington, but fans are mainly wondering if itwill be passionate again. Actress Nicola Coughlan (35), who plays the role ofPenelope, reassures them.

‘ Bridgerton’ Cast Members Announce Season 3:

The first season of the romantic drama series ‘Bridgerton’ revolved aroundDaphne Bridgerton (Phoebe Dynevor) and The Duke, Simon Basset (Regé-JeanPage). The romance and passion just about splashed off the screen, but thiswas much less the case in the second season. The storyline at the time wasvery romantic and revolved more around ‘a forbidden love’. There werenoticeably fewer sex scenes, which has made fans wonder whether that will alsobe the case in the new season. Can they expect more intimate moments again?Actress Nicola Coughlan (Penelope Featherington) was very clear about this inan interview with ‘ExtraTV’. “The tension between Penelope and ColinBridgerton (played by Luke Newton, ed.) will rise.” Will the series be fieryagain? “I think so, because we’ve been building their relationship for twoseasons.”

Colin Bridgerton

It has been known for some time that the new season will revolve around thecharacters Colin Bridgerton and Penelope Featherington. The actress herselfshared the news on her Instagram page. “Like Lady Whistledown, I’ve beenwalking around with a big secret for a long time. But I can finally say thatthe third season will revolve around ‘Polin’,” he said at the time. The twohave become real fan favorites, as it were, and they are very curious howtheir storyline and relationship will blossom.

The third season is based on the book Romancing Mr. Bridgerton,” from the”Bridgerton” book series by author Julia Quinn. After Daphne and AnthonyBridgerton, it’s now their brother Colin’s turn. The release date of the thirdseason has not yet been announced.

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Trailer ‘Bridgerton’ Season 2:

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Netflix shares set photo of ‘Bridgerton’ recordings and hints at the return ofpopular character

Netflix sues makers of unofficial ‘Bridgerton’ musical

‘Bridgerton’ Actor Regé-Jean Page Wouldn’t Mind If His Role Was Recast

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Adam Levine responds to claim he cheated on Behati Prinsloo with model Sumner Stroh

Sumner Stroh

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Adam Levine, here with wife Behati Prinsloo in 2021, is at the center of acheating scandal as he’s accused of having an affair with Sumner Stroh.(Photo: Reuters)

Adam Levine broke his silence on Tuesday about rumors he cheated on wifeBehati Prinsloo with Instagram model Sumner Stroh. The Maroon 5 frontmandenied Stroh’s claim they had a year-long affair, but admitted he “crossed theline” with flirty messages. Levine’s statement comes one week after Prinslooconfirmed the couple is expecting their third child.

“A lot is being said about me right now and I wan to clear the air. I usedpoor judgment in speaking with anyone other than my wife in ANY kind offlirtatious manner. I did not have an affair, nevertheless, I crossed the lineduring a regrettable period of my life,” Levine said in a statement on hisInstagram story. “In certain instances it became inappropriate. I haveaddressed that and taken proactive steps to remedy this with my family.”

Levine, who wed Prinsloo in 2014, went on to apologize to his family. He andthe Victoria’s Secret model are parents to daughters Gio Grace, 4, and DustyRose, 5.

“My wife and my family is all I care about in this world. To be this naive andstupid enough to risk the only thing that truly matters to me was the greatestmistake I could ever make,” Levine continued. “I will never make it again. Itake full responsibility. We will get through it and we will get through ittogether.”

Yahoo Entertainment reached out to Stroh after Levine’s statement, but did notimmediately receive a response.

Levine didn’t address one of Stroh’s more surprising allegations — that thesinger asked if he could name his unborn child after her. The Instagram modelcame forward on Monday and alleged she had an affair with Levine. Stroh saidshe was going public as a friend was trying to sell the story to a tabloid.

“Essentially, I was having an affair with a man who’s married to a Victoria’sSecret model. At the time, you know, I was young, I was naive, and, I meanquite frankly, I feel exploited,” Stroh began in a now viral TikTok.

Stroh, who said she was “easily manipulated,” shared alleged Instagram DMswith Levine in which he purportedly wrote, “It is truly unreal how f***ing hotyou are… like it blows my mind.” It’s unclear when the supposed messages weresent.

Story continues

“Adam and I were seeing each other for about a year,” she continued. “After Istopped talking to him for a period of months, this is how he came back intomy life.”

Stroh then showed an alleged DM from Levine on June 1 that reads: “Ok seriousquestion. I’m having another baby and if it’s [a] boy I really wanna name itSumner. you ok with that? DEAD serious.”

people reported two weeks ago that Prinsloo was pregnant with her andLevine’s third child. It’s unclear how far along the model is and if thistiming would add up.

Stroh added that she “never wanted to come forward” about the alleged affair.”Being tied to a story like this… I know the stereotypes,” she said. Strohadded that she “recklessly” sent screenshots from Levine to a few friends, oneof whom supposedly shopped the story.

Stroh addressed the affair claims again on her Instagram Story on Monday.

“Aware people are going to try to fill in the gaps with many falseassumptions. I don’t feel like I’m doing any favors considering the mannerthis had to go about. It’s a lot to digest but hopefully, at the very least ,the truth being out can do some good,” she wrote on Monday.

Adam Levine's alleged mistress Sumner Stroh shares post about cheatingallegations.  (Photo: Sumner Stroh viaInstagram)Adam Levine'salleged mistress Sumner Stroh shares post about cheating allegations.(Photo: Sumner Stroh viaInstagram)

Adam Levine’s alleged mistress Sumner Stroh shares post about cheatingallegations. (Photo: Sumner Stroh via Instagram)

Stroh claimed to Page Six that the alleged “physical” affair took place”last year” when she “graduated college in 2021.”

Prinsloo has yet to address the scandal.

MORE: Adam Levine and Behati Prinsloo are expecting their third child